RAAFAT ISHAK
ANZAC
Raafat Ishak’s bright and colourful artwork, Future Wall Painting, will be printed onto the glass wall panels in the Albert Road entrance to Anzac Station.
Client
Artist
Project Team
Design - Hassell, Weston Williamson + Partners, and RSHP
Construction - Lendlease Engineering, John Holland and Bouygues Construction Australia
Fabricator
TBC
Photography
Courtesy of Metro Tunnel
In Future Wall Painting, Ishak celebrates the architectural and cultural landmarks of the St Kilda Road precinct through abstract forms and geometric drawings. While essentially abstract, the artwork contains references to Australian pre-contact, colonial, and military histories as well as architectural references to monuments and buildings associated with the St Kilda Road ceremonial boulevard. Native fauna and flora are dispersed throughout the design in a nod to the boulevard's pre-colonial landscape.
The overriding concept behind my design for Anzac Station is to create a work that people will walk past at that very special moment of moving from above ground to the tunnel underneath. The work becomes part of that experience of being in transit.’
– Raafat Ishak
T Projects developed the creative vision for the Creative Program including the temporary and the Legacy Artwork Program, which will deliver permanent art commissions in each of the new stations of the $11 billion Metro Tunnel Project, which features twin 9km tunnels and five new underground stations throughout central Melbourne. We developed and led the creative program from the bid stage in early 2017 through to the presentation and selection of preferred artists concept designs in 2020. The Legacy Artworks will create world-class public art experiences for visitors and users of the Metro Tunnel, ensuring the stations are must-see destinations and enhancing Melbourne’s reputation as Australia’s cultural capital.
Six major works are being commissioned, comprising five works for the new stations - Abdul Abdullah at Arden; Patricia Piccinini at Parkville; Danie Mellor at State Library; Rafael Lozano-Hemmer at Town Hall; Raafat Ishak at Anzac; with Maree Clarke featuring as the Line-wide commission, spanning all five stations.
This diverse range of artists were selected by a state appointed panel comprising of - Max Delaney, Natalie King, Kimberly Moulton, Donald Bates, Max Coffman and Jill Garner.
RAAFAT ISHAK
Raafat Ishak was born in Egypt and lives and works in Melbourne. He has an undergraduate degree in fine arts from the Victorian College of the Arts, a post-graduate degree in architecture history and conservation practice from the University of Melbourne, and a PhD from Monash University.
Working across painting, sculpture, installation and site-specific drawing, Ishak's practice is informed by the history of painting and architecture. His practice is generated through ubiquitous acts of research, experimentation, withdrawal, exclusion and fatigue.
He has been awarded a number of Australia Council grants including residency at the Cite International des Arts in Paris in 2013. His work is held in many significant public and private collections. He is a founding member of Ocular Lab Inc and is Head of Painting at the Victorian College of the Arts, University of Melbourne.
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